And then “Bruno” - I was locked up with my in-laws. At the core of “Surface Pressure” is this question of, how do I keep my family safe - and who am I if I can’t? I think that’s a variation of what every parent felt then. There’s a reason “Surface Pressure” and “We Don’t Talk About Bruno,” which were written in April and May of 2020, respectively, resonate in a different way. In retrospect, I do think some of the lockdown seeps into the songwriting. What was it like essentially putting this soundtrack together in lockdown? You were in the throes of writing Encanto’s music in spring 2020. “That ‘Bruno’ would become one of the most popular songs of all time, that all the songs would be in the top 100 - we would have never expected it.” “It’s pretty unorthodox in terms of a musical,” MacDougall says of Encanto. 36 peaks, respectively, on Hot Latin Songs and the Hot 100. 8 peak, or to the teary masses who sent the poetic “Dos Oruguitas” (sung entirely in Spanish by Sebastián Yatra) to No. Of course, don’t tell that to the “Surface Pressure” hive, whose passion for strongwoman Luisa’s reggaetón-inflected solo pushed it to a No. 1 and, according to Billboard’s GOAT methodology, is now the biggest Disney song of all time. Much of that was thanks to the unlikely and explosive leader of the pack: the intricate, multicharacter showstopper “We Don’t Talk About Bruno,” which spent five weeks at No.

1 on the Hot 100 Songwriters chart and to ultimately be named Billboard’s top Hot 100 songwriter of 2022. Miranda’s eight songs for the Encanto soundtrack all charted on the Billboard Hot 100, leading him to spend 15 weeks at No. How Superproducer Greg Kurstin Brings Out The Best In Artists From Adele To Maren Morris

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